When I was in fourth year high school, our class performed Legally Blonde the Musical for the Literary Musical contest during the English month, where my classmate Leslie Santos (who played Elle Woods) won as Best Actress.

I feel in love with the musical version right away.

As you guys know, Legally Blonde the Musical is actually based on MGM film Legally Blonde starring Reese Witherspoon as Elle Woods and on Amanda Brown’s book of the same title. Legally Blonde is basically the story of sorority star Elle Woods who follows her one true love ,Warner Huntington III, to Harvard Law School. The musical will definitely take the audience from the sorority house to the halls of justice.

Legally Blonde the Musical Manila is produced by Atlantis Productions, Inc. with Nikki Gil as Elle Woods, Nyoy Volante as Emmett Forrest, and Guji Lorenzana as Warner Huntington III. This production is directed by Chari Arespacochaga while Beth Martin was the musical director.

My friends and I watched the June 25, 2010, 8:00pm performance (also known as the opening night) of Legally Blonde the Musical Manila. We were seated at the first row that gave us a great view of the stage while Billy Crawford was seated a few seats from us.

Here’s my review of the June 25, 2010, 8:00pm performance of Legally Blonde the Musical Manila.

THE CAST

I would admit that I doubted Nikki Gil’s capabilities as a theater actress and a singer when I first heard that she’ll be playing Elle Woods at the local production of Legally Blonde the Musical. But, I was proven wrong. Actually, the preview performance of Legally Blonde at ASAP XV’s failed to showcase her true prowess as a singer and a theater actress. Her performance as Elle Woods didn’t disappoint.

Geneva Cruz shined in this musical as the fitness instructor Brooke Wyndham. I’m so amazed with the Whipped Into Shape number because Geneva’s voice didn’t even crackle even though she was jumping rope!

Props to Nyoy Volante and Guji Lorenzana who played Emmett Forrest and Warner Huntington III, respectively for giving justice to their roles. Snaps also to Emerita Alcid, Yannah Laurel, and Myrene Santos who played the important roles of the Delta Nu Girls and Elle’s Greek Chorus; however, it seems that they lacked caffeine in their system during the performance. Delta Nu Girls are highly caffeinated.

I so love Jinky Llamanzares’ performance as Paulette Bonafante! She was really great! Cris Viollonco as Vivienne Kensington was okay though she lacked the mataray look that the role demands. I also love Enid (played by Alys Andrea Serdenia) and the courtroom stenographer (played by Geraldine Agir) who both stood out even though their exposure were minimal.

CHOREOGRAPHY

I love the way that the choreography of this production didn’t exactly copied the choreography of the Broadway version. The choreography was original although there were a bit of likeness to the Broadway version. The choreography’s actually good. However, I could really see that the dance movements were less complicated and were toned down especially during the Omigod You Guys and What You Want numbers.

PRODUCTION DESIGN (Sets, Props, Etc)

The production design of Legally Blonde the Musical Manila didn’t disappoint. Just don’t expect the sets and props to be like the production design of the Broadway version. The sets were actually pretty good for a local production and didn’t look cheap. And, please don’t expect to see live dogs (to play Bruiser and Rufus) during the show. The sets and props were just right and were able to set the right mood-slash-atmosphere required for the scenes. However, their wigs didn’t look so good. Nikki Gil with the wig on looked more like Goldilocks rather than Elle Woods.

SOUND

We were seated at the first row so we could really hear the orchestra crystal clear. They were really great! However, just like in any local stage production, the sound system was a bit annoying. There were times when you can’t hear the actor/actress singing because his/her lapel was off. Plus, audio levels were not flat, meaning, some actors sound so loud while the others were totally inaudible. Atlantis Productions should really do something about this!

The audio reminders before the show and before Act Two resumes were cute—Elle reminds the audience to turn off their cellphones and even warns the audience that she’ll run after anyone who would post a video of the performance on YouTube. Funny!

One more thing, the conductor should stop using that flashing LED wand as her baton. It’s annoying, especially if you’re in the front row.

OVER-ALL COMMENT

Legally Blonde the Musical is a great and fun musical to watch! You definitely should watch out for the punch lines! You could really see that the production exerted a lot of effort to pull a show like this—from the actors’ performance up to the minute details like the set and props. Although there were a few scenes that didn’t meet my expectations, the show is really enjoyable to watch and I assure you that your money, effort and time wouldn’t be wasted.

HIGHLIGHTS OF THE SHOW

  • Whipped into Shape
  • Ireland
  • Legally Blonde
  • Legally Blonde Remix
  • Court Room Scene / Omigod You Guys Reprise
  • Find My Way / Finale

Of course, my friends and I gave Nikki Gil a standing ovation. Oha! I’m definitely watching this again (closing night, maybe)!

Legally Blonde the Musical runs at the Meralco Theater in Ortigas Ave, Pasig City from June 25 to July 18, 2010. Call Atlantis Productions, Inc. at 8927078 or Ticketworld at 891-9999 for tickets.

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Last May 16, 2010, my family and I joined the free Postal Heritage Walking Tour of Manila conducted by the Filipinas Stamp Collector’s Club. I actually talked about the said walking tour of Manila during the first few minutes of my newest podcast, EDUC Today. In the said tour, we get to learn about the different monuments and buildings around Manila that have a significance in the Philippines’ postal heritage.

The Manila Metropolitan Theater

Manila Metropolitan Theater

Manila Metropolitan Theater

The first stop the tour is at the Manila Metropolitan Theater. Ever since I was a kid, I’ve been wanting to go inside the Manila Metropolitan Theater—to watch a show and look at its interiors. However, it was closed to public since the mid-1990s, I think, and was a condemned building. Today, several government agencies and non-governmental institutions are responsible for the current rehabilitation-slash-renovation of the Manila Metropolitan Theater. In fact, the theater had its soft opening late April 2010. We get to see the art deco design of the theater—from the ceilings with mango and banana leaves design to its wrought iron gates. This was kind of the highlight of the tour for we stayed there for quite a long time to check out the different function rooms, the stage, control rooms, etc. Juan Arellano, the architect who designed the Manila Metropolitan Theater also designed the Manila Central Post Office building. Click to continue reading »

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YAY!

YAY!

Few months before the May 10, 2010 elections, I wasn’t sure if I’ll be able to vote. I registered to vote last October 2009 with my sister, Dianne, during the COMELEC satellite registration thing here in our barangay. Everything went great and the whole registration thing was hassle-free. However, months after registering to vote, I checked my records using COMELEC’s online precinct finder but it seems my records are nowhere to be found. Just imagine how frustrated I was upon knowing that there’s a chance that I cannot exercise my right to vote because my records are nowhere to be found.

Few days before the D-Day, I still can’t find my records on COMELEC’s online precinct finder. However, our house help, who’s a PPCRV (Parish Pastoral Council for Responsible Voting) volunteer, told me that my name is actually in the list of voters. I was relieved. And so, during the eve of election day, I made a list of the candidates that I’ll be voting for—from the president up to councilors. Click to continue reading »

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HEY! I just want to write a quick blog post about Brink Notes Podcast Network. Well, Brink Notes Podcast Network is a collection of the podcasts I have produced since September 2005.

Brink Notes Podcast Network started with the launch of my very first podcast show, Jeric’s Confessions, on September 5, 2005.

Alongside with the relaunch of the Brink Notes Podcast Network, I have also launched a new podcast show, EDUC Today. EDUC Today is a 30-minute weekly podcast  that discusses and explains different educational issues affecting the teachers and students of today. From choosing your degree program to deciding whether to pursue a doctoral degree, this podcast is for everyone interested in becoming informed and educated on innovations and issues involving the academe.

I have decided to create podcast focusing on education after the success of my education blog, Distance Education in the Philippines. Please check out the first episode of EDUC Today.

I hope you can drop by Brink Notes Podcast Network and check out some of the shows. Thanks! ;)

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